So, this week I'm spending a lot of time with women whose existential crises overcame them during politically-charged moments in history: Virginia Woolf (d. 1941) and Sylvia Plath (d. 1963). Lovely. Thus I'm taking a break (and backing away from my gas oven) to bring you the following!
A Very Special Episode in which
Everyone Learns an Important Lesson
A Much-Anticipated Q&A Event
Q: Let's bring your reading public up to speed. Why do you study literature?A: It's awesome.
Q: Try that without using the word "awesome."
A: It's timeless. Lit has mutated through a zillion forms, from Beowulf to blogging, and has never been outgrown. Humans have this desperate need to tell stories and establish identities using them, and studying literature is a deeply personal way to study people and how we move through history.
Q: What's "ModBritLit" and why is it a big deal?
A: A v. hot abbrev. Modern British Literature is the lit period bookended 1900-1945, though I prefer to identify the period using Oscar Wilde's trial (1895) - end of WWII (mid-late 1945). Journalism, novels, and other written media trace the history of this era's chaotic upheaval. For example: details of Wilde's trial depict a relationship equivalent to an institutional private-school boys' friendship; so where does this violent public attack on personal life come from? And the war poets do a better job than I at detailing this, but in 1945 WWII ended because the US whipped out a nuclear smackdown. Talk about a terrorist attack: can you imagine living in a world that is perpetually threatened by nuclear annihilation?
Um. Anyway. "Modernism" is the pictures, art, movies, radio shows, newspapers, novels, and other physical artifacts of an unfinished story. It's an unstable period of rapidly changing ideas of identity, progress, technology, and the future. Literary artists (like Woolf and Plath) struggled to find the meaning of the individual in such a world (but sometimes gave up).
Q: What do you do with it? How is it relevant?
A: Literature's evolution parallels our own. Our identity today as individuals in a global environment is overwhelming: between blogging (guilty), the self-exposé of Facebook/Twitter, blurred lines of an endless and undefined war, international economic collapse, political instability, the Internet itself, 24-hour media, constant connection to email, texting, cell phones .... How do we establish meaning and self-identification?
But it's ALSO as though modernism predicted us. Here's an extra-creepy modern lit reference:
'I thought insurance companies never smashed,' was Helen's contribution. 'Don't the others always run in and save them?' - Howard's End, E.M. Forster 1914
And modern lit references are applicable to this very day. Alex Mayer `09 is pretty much a modernist: "Quoting Yeats to describe the UN: where “the best lack all conviction, while the worst are full of passionate intensity" http://bit.ly/jRdak" (@Alex_Mayer 9/30/09). It's great!
Q: So modernism is an opportunity to re-stage our current cultural moment?
A: Yes and no. Because of mid-late 1945 we live in a surreal alternate reality of post-nuclear identity that is incomparable to ... but I don't have the foreign affairs know-how to speak intelligently about that. What I DO have is a BS in Psychology, so welcome to Gender/Sexuality/Queer studies!
I revel in unpacking the historic construction of sexuality, institutions established to regulate it, culturally-relative ideas of gender, and what it means to challenge these things. Also: how is sexuality evolving? How do we now define it, why, and what do feminism or affirmative action or DoMA or Prop 8 mean? What historically has happened and how do we learn from it?
Woolf swore that life experiences happen on a continuum of sexuality and intimacy: from penetrative sex to hand-holding to kissing to same-sex friendships to walking in the park, intimacy is individual and shared. And yet we still don't know how to deal with our own and others' right to intimacy without prejudice, anger, or restrictive social norms. Crazy.
Q: And that's the draw of literary academia?
A: Yep. And it's awesome.
"There is only Love. Everything else is our resistance to it."
- Terces Engleheart
- Terces Engleheart


